Friday, March 20, 2020

Role Of Queen In Beowulf & Grendel Essays - Beowulf, Geats

Role Of Queen In Beowulf & Grendel Essays - Beowulf, Geats Role of Queen in Beowulf & Grendel In both texts, Beowulf and Grendel, the main purpose of the Queen's are to serve the courts as "weavers of peace". In Grendel however, Queen Wealththeow is described in much greater detail and serves a further purpose. The reader gains insight to a part Grendel that is not present in Beowulf, his desire for a human. It was not unusual for women to be offered as tokens of peace within the noble courts. In the novel Grendel, Wealhtheow's brother, King of the Helmings, bestowed her to King Hrothgar to promote peace amongst the Helmings and Scyldings. "She had given, her life for those she loved. So would any simpering, eyelash batting female in her court, given the proper setup, the minimal conditions"(Grendel, p.102). It is ironic how she promoted peace from her arrival because she was an essential part in keeping peace, as the "weaver of peace" in the later of both texts. Queen Wealhtheow however is not the only woman in the texts that was forsaken to encourage appeasement amongst feuding courts. Queen Hygd was offered to Hygelac under very similar circumezces as told in Beowulf, and portrayed the same role in Hygelac's kingdom. There is reference in both texts concerning this tradition, and it is evident to the reader that this is not an unusual Anglo-Saxon custom. Queen Wealhtheow and Queen Hygd served as excellent role models for the courts in which they served. They exemplified the mannerisms and etiquette of the noble people. Queen Wealhtheow showed excellent poise from the very beginning of both texts. She was admirable as she passed the mead bowl around Heorot. The offering of the bowl was symbolic, being that the bowl was first given to Hrothgar and then passed to Beowulf, as if she presented him with her trust. Beowulf gave Wealhtheow his guarantee that he would be successful or die in battle. After she presented Hrothgar and Beowulf with the mead bowl she served the Scyldings, and did so as if they were her own people. She was not a Scylding, nor did she desire to be one, but she never made her unhappiness known, as described in Grendel. There is not great detail on Queen Hygd in Grendel, but from what the reader can gather from Beowulf, she is as much of a female role model as Queen Wealhtheow. She was young but very intelligent. In fact King Hygelac felt intimidated by Hygds intelligence. Queen Hygd was unlike Wealhtheow in the way in which she did not bare many gifts. Hygd was more concerned about the future of the people of her kingdom succeeding Hygelacs death than Wealhtheow. Hygd offered Beowulf the kingdom because she believed it was in the best interest of the people, she loved the warriors and wished peace amongst all the people. Wealtheow on the other hand felt that the kingdom should be preserved for her sons. Wealhtheow spoke after the "fight at Finnsburg" about the importance of her sons taking over the kingdom in the poem Beowulf, and this reminds Hrothgar of his age. This same speech affected Hrothgar in both texts. It forced him to contemplate his worthiness of Wealhtheow. He realized that she was young and beautiful, and need not be with an old man. Which made his sorrow even worse is the fact that she knew all this as well. Queen Wealhtheow put up an excellent disguise when hiding the pain she experienced from being forced to be Hrothgars wife. Unlike in Beowulf, in Grendel the reader was given insight into Wealhtheow's sorrow. The only time she would display her unhappiness was when she would lie in bed at night with Hrothgar with her eyes full of tears. Sometimes she would leave the kingdom to dwell in her sorrows but she would be immediately surrounded by guards, and escorted inside. Wealhtheow was homesick, she missed her land, and her brother. When her brother visited Heorot she paid no attention to Hrothgar, and Hrothgar fulfilled passing around the mead bowl. In Grendel, it told of Hrothgar's love for wealhtheow. He would often stare at her in admiration. Despite her resentment she treated Hrothgar with much respect, she always looked

Wednesday, March 4, 2020

Clerestory Windows in Architectural Design

Clerestory Windows in Architectural Design A clerestory window is a large window or series of small windows along the top of a structures wall, usually at or near the roof line. Clerestory windows are a type of fenestration or glass window placement found in both residential and commercial construction. A clerestory wall often rises above adjoining roofs. In a large building, like a gymnasium or train station, the windows will be positioned to allow light to illuminate a large interior space. A smaller home may have a band of narrow windows along the very top of a wall. Originally, the word clerestory (pronounced CLEAR-story) referred to the upper level of a church or cathedral. The Middle English word clerestorie means clear story, which describes how an entire story of height was cleared to bring natural light to sizable interiors. Designing With Clerestory Windows Designers who wish to maintain wall space and interior privacy AND keep a room well-lighted often use this type of window arrangement for both residential and commercial projects. It is one way to use architectural design to help your home out of the darkness. Clerestory windows are most often used to naturally illuminate (and often ventilate) large spaces such as sports arenas, transportation terminals, and gymnasiums. As modern sports stadiums and arenas became enclosed, with and without retractable roofing systems, the clerestory lens, as its called on the 2009 Cowboys Stadium, became more common. Early Christian Byzantine architecture featured this type of fenestration to shed overhead light into the massive spaces builders were beginning to construct. Romanesque- era designs expanded the technique as medieval basilicas achieved more grandeur from height. The architects of Gothic-era cathedrals made clerestories an art form. Some say it was  American architect Frank Lloyd Wright (1867-1959) who adapted that Gothic art form to residential architecture. Wright was an early promoter of natural light and ventilation, no doubt in response to working in the Chicago area during the height of Americas industrialization. By 1893 Wright had his prototype for the Prairie Style in the Winslow House, showing second-story windows under the enormous eave overhang. By 1908 Wright was still struggling with a perfectly beautiful design when he wrote: ...often I used to gloat over the beautiful buildings I could build if only it were unnecessary to cut holes in them.... The holes, of course, are the windows and doors. By the time Wright was marketing his Usonian homes, the clerestory windows had become an important part of both the interior design, as seen in the 1939 Rosenbaum house in Alabama, and the exterior design, as in the 1950 Zimmerman House in New Hampshire. The best way to light a house is Gods way - the natural way.... Wright wrote  in The Natural House, a 1954 classic book on American architecture. The best natural way, according to Wright, is to place the clerestory along the southern exposure of the structure. The clerestory window serves as a lantern to the house. More Definitions of Clerestory or Clearstory 1. An upper zone of wall pierced with windows that admit light to the center of a lofty room. 2. A window so placed. - Dictionary of Architecture and Construction The topmost windows of a church nave, those above the aisle roof, thus any high band of windows - G. E. Kidder Smith, FAIA A series of windows placed high on a wall. Evolved from the Gothic churches where the clerestory appeared above the aisle roofs. - John Milnes Baker, AIA Architectural Examples of Clerestory Windows Clerestory windows illuminate many of Frank Lloyd Wright-designed interior spaces, especially the Usonian home designs, including the Zimmerman House and the Toufic Kalil Home. In addition to adding clerestory windows to residential structures, Wright also used rows of glass in more traditional settings, such as his Unity Temple, Annunciation Greek Orthodox, and the original library, the Buckner Building, on the campus of Florida Southern College in Lakeland. For Wright, the clerestory window was a design choice that satisfied his aesthetic and philosophic ideals. Clerestory windows have become a mainstay of modern residential architecture. From the 1922 Schindler Chace house designed by the Austrian-born R. M. Schindler to the student designs of the Solar Decathlon competition, this type of fenestration is a popular and practical choice. Remember that this new way of design is centuries old. Look up at the great sacred places across the world. Heavenly light becomes part of the prayerful experience in synagogues, cathedrals, and mosques throughout the ages, from Byzantine to Gothic to Modern structures like architect Alvar Altos 1978 Church of the Assumption of Mary in Riola di Vergato,  Italy. As the world became industrialized, natural light from clerestory windows supplemented the gas and electric lighting of venues such as Grand Central Terminal in New York City. For a more modern transportation hub in Lower Manhattan, Spanish architect Santiago Calatrava returned to ancient architectural history, incorporating a modern oculus - a version of Romes Pantheon extreme clerestory - showing again that whats old is always new. A Selection of Clerestory Window Examples Dance Studio, Preserving Wall SpaceTurner Contemporary Gallery, David Chipperfield Architects, United KingdomKitchen, 1922 Schindler House, Los Angeles, CaliforniaKarl Kundert Medical Clinic, Frank Lloyd Wright, 1956, San Luis Obispo, CaliforniaGothic Exeter Cathedral, United KingdomItalian Byzantine Church of Saint Vitale in Ravenna, ItalySunlight Shining Into Grand Central Terminal, New York City Sources Frank Lloyd Wright On Architecture: Selected Writings (1894-1940), Frederick Gutheim, ed., Grossets Universal Library, 1941, p. 38Dictionary of Architecture and Construction, Cyril M. Harris, ed., McGraw- Hill, 1975, p. 108G. E. Kidder Smith, FAIA, Sourcebook of American Architecture, Princeton Architectural Press, 1996, p. 644.John Milnes Baker, AIA, American House Styles: A Concise Guide, Norton, 1994, p. 169Additional photo credits: Cowboy Stadium, Ronald Martinez/Getty Images (cropped); Winslow House, Raymond Boyd/ Getty Images (cropped); Alto Church, De Agostini/Getty Images (cropped); Zimmerman House, Jackie Craven

Sunday, February 16, 2020

Battle of Waterloo Research Paper Example | Topics and Well Written Essays - 3500 words

Battle of Waterloo - Research Paper Example Since the achievement of such an objective is rarely feasible in practicality, although theoretically plausible, the theory of warfare attempts to teach and calculate the moral factors such as the mistakes which the enemy is likely to make; or the impression which can be created to intimidate the enemy forces. Written almost two centuries ago, by a renowned Prussian thinker and theorist, Carl von Cluausewitz, these highly controversial yet oft cited set of principles commonly referred to as the "Principles of War" present a comprehensive summary of the tactics and strategies that can be used during war. These principles have proved to be highly effective over the years, and are adopted by nations worldwide, owing to fact that they encompass all the moral as well as psychological aspects of warfare (Clausewitz, Graham, 2008). This paper on Principles of War: Battle of Waterloo discusses and analyzes the nine principles of war with regard to and as applied in the Battle of Waterloo. Th e Battle of Waterloo: Brief Overview The Battle of Waterloo was fought between the Imperial French army commanded by Emperor Napoleon and the Seventh Coalition - which comprised of an Anglo-allied army commanded by the Duke of Wellington; and the Prussian army commanded by Gebhard von Blucher. It was fought on June 18, 1815 near Waterloo which is in present-day Belgium. Napoleon’s army was defeated by the combined forces i.e. the Seventh Coalition and the Anglo-Allied army, and is considered to be historical since it marked the end of Napoleon’s tyrant rule, and his hundred days of return from exile (BBC History, 2011). The battle was historical since the mighty French emperor and military leader Napoleon’s rule came to an abrupt end after his defeat at the hands of the combined armies led by the British, German, Belgian, Dutch and the Prussians. The principles of war discussed in the following section, aims to discuss, examine, and analyze the various strategie s used by the combined forces against Napoleon’s army, that eventually led to his fall. The nine principles of war: 1. The Principle of Objective: â€Å"No one starts a war—or rather, no one in his senses ought to do so—without first being clear in his mind what he intends to achieve by that war and how he intends to conduct it†. Karl Von Clausewitz (in Mahnken & Maiolo, 2008, pp. 2) The principle of objective refers to the fundamental purpose of the war / military operation, which must be clearly identified, defined and attained in an effective manner. The two parties involved in the battle included Napoleon’s army on one hand, and the allied forces comprising of the British, the Belgians, the Germans, and the Prussians on the other. The basic objective of Napoleon was to continue his accession and dominance, and restore his power after his exile, in the year 1815 and to defeat the allied European forces which had begun to reassemble their armies in a bid to overthrow Napoleon’s rule. Napoleon’s objective was to destroy the efforts of the allied forces, prevent them from gaining more support and expanding their existing coalition, and destroy the British, Prussian, Dutch, and Belgian armies before they could gather more support and assistance from other powers. On the other hand, the basic objective of the allied forces was to stop the emperor’s (Napoleon’s) accession, and overthrow him and thus bring a halt to his reign by defeating him and to end his tyrant rule as the emperor of France. 2. The principle of Offensive: This principle entails the retention, seizing of and exploiting the initiatives of the enemy by launching an offensive

Sunday, February 2, 2020

Health care premium tax credits Research Paper Example | Topics and Well Written Essays - 500 words

Health care premium tax credits - Research Paper Example It is a refundable tax credit and the refund is fully paid regardless of the income tax which is owed by the recipient (IRS â€Å"Individuals†). This HCTC benefits many displaced workers and those aged 55 years and older under pension benefit. It is meant to ensure that people can still access health care services despite their financial difficulties and economic status (IRS â€Å"Individuals†). The primary Act which has made the HCTC possible is the Trade Adjustment Act of 2002. This act basically created the HCTC and ensured that certain individuals who receive PBGC are qualified for credits (DSRA, p. 1). The act made it possible for 65% of health care insurance to be covered by the federal government. Through this act, the HCTC has been implemented since December 2002; and it has also been available for all of 2003 and the years following (DSRA, p. 1). The American Relief and Recovery Act of 2009 (ARRA) extends the coverage of the Trade Adjustment Act of 2002. It is the act which provides about $30 billion for health investments with most of the investments made available to hospitals and physicians who use Electronic Health Records (EHR) (Cisco, p. 1). Those with EHR are qualified to receive incentives from the Medicare and Medicaid starting on 2011; the act includes a $2 billion grant from the Department of Health and Human Services and also grants for telemedicine pro jects (Cisco, p. 1). As part of the ARRA, the Trade Adjustment Assistance Health Coverage Improvement Act of 2009 was passed and this expanded the eligibility of qualified family members beyond the enrollees’ death or divorce for up to 24 months; also, those who are eligible but live in US territories can participate in the monthly HCTC (IRS â€Å"Individuals†). The HCTC is included as a health policy because the Congress recognized that for people who lose their health coverage, the experience can

Saturday, January 25, 2020

Pussy Riot Trials In Russia Cultural Studies Essay

Pussy Riot Trials In Russia Cultural Studies Essay Sources related closely to Pussy Riot will be taken online and from newspaper articles as information on the subject is still fresh in peoples minds and not yet in book form. Mankind has always been eager to be the strongest, largest, most powerful, fundamentally the finest in everything. This statement is clear for the Russia who is deemed the largest country in the world. Russia manages to cover one sixth of the whole globes land mass and has played a significant role in modern history. Although, in order to comprehend how a country has developed into what it is now, one must reflect at its society. A countrys society reflects not only its people but also its expectations of the future and history. Many things reflect Russias varied culture but two of the main factors are of art and the church.    Like numerous other countries, religion has definitely played an immense role in the structure of Russian society and its values towards success. Their main place of worship is known as the Russian Orthodox Church, this holy place being around one thousand years old and in the region of half of the countrys population belonging to it. This being said, the vast majority of Orthodox believers do not attend church on a regular basis. Russians have also turned to various new beliefs, parties, and religious denominations. However, the Russian Orthodox Church is very much valued amongst advocates and agnostics, who see it as an icon of Russian tradition, heritage and culture.   Ã‚   Since Pussy Riot formed they have made numerous headlines with a series of illicit guerilla performances that included performing a piece aptly named Revolt in Russia on the symbolic Red Square in January 2012. Eventually they were arrested under Russia stern illegal protest laws, but at the time all eight band mates were released to march another day. The recent Pussy Riot trials in Russia have highlighted the continuing need for women to challenge authority and assert their independence within Western Society. It may appear as if women have achieved much over the last fifty years, but recent statistics have shown that as a result of the economic recession it has been women who have taken the brunt of the cuts. With un-employment amongst women aged 50 to 64 has a rising of 39% in two years compared with 5% rise for all over-16s in the UK alone1 whether it is a student, breadwinner, daughter or carer, this is the glue that holds society together, if they write off this part of society then we as a whole are lost. Females who are at risk of the cuts are most definitely not an industry or interest group they are 50% of this nation. In Stalinist Eastern Europe, political parties were banned and criticism of the government was dangerous. Just as todays North Korea or Assads Syria, public spaces were forced, propaganda was across the board and fear was extensive. Yet even in a civilization engrossed by fear, young individuals created ways to communicate their discontent, as they have recently in the Arab world and North Africa. Much like the young women of Pussy Riot in Russia, they too have also learned how the use of pop culture and the ever growing power of social media sites can be used as a means of resistance against the communist regimes.   Modern Communism was thought up and developed by a man named Karl Marx who was the brains behind creating Marxism and this is what communism as we know it today was based upon. Karl Marx created this philosophy in the 1840s and the first communist party to come to authority was the Bolshevik Party which gained control of Russia and created the Soviet Union. This happened in the early 20th century and so from this we can establish that communism has been around from 1910s-20s through to present day. This was when the art movement Socialist Realism was created and then, in later years, used by the communist governments to create an alliance of the people within the country. This realistic art was also used to romanticize the truth and to glorify the roles that the working class societies were playing within the country; this was to make the people feel they were personally involved with the sustained existence of the country. At the beginning of the 20th  century in Russia, during the civil war, the innovative government largely used the arts as a means of advertising its ideas and aims. One of the most significant types of Russian propaganda art of that time was the influential political poster. It is through this form of medium and with the power of mass media in which the government called on the nation to learn to read and write, lend a hand those less fortunate or in need, and have a passionate love towards their country, making it a proud and immensely successful nation, fighting for freedom and justice. Soviet posters began to first appear in Russia during the Proletarian Revolution and so  bringing Communist Partys slogans to the masses. A number of posters would be hand drawn; producing the posters this way would give these artists independence from the press and thus making it possible to react straight away to the most current issues as rapidly as possible. This way of producing has become an important attribute of Russian propaganda art. The posters themselves had individual characteristics: bold shapes, vibrant colours, clear lines with lack of small details and additional strength. One unconventional example of Russian propaganda art had brought around a unique phenomenon in Russian art of the early 20th century; agitation porcelain which proclaimed the ideas and ideals of the revolution and was an important propaganda weapon for the new rulers. Agitation porcelain was produced by artists such as Kazimir Malevich and Nikolai Suetin in dreary conditions, from time to time in starvation, under the management of Sergey Chekhonin. In 1923-24, they designed their globally- famous Suprematist works, which included classics of design history; Malevichs white teapot and the half-cup. Agitation porcelain immediately became enthusiastically wanted and sought after by international art collectors. However it didnt become used by the masses or art for the people. Instead of ordinary floral and idyllic subjects these porcelain objects embellished with symbols of the Soviet Republic. With designs such as the hammer and sickle, and slogans like à Ã… ¡Ãƒâ€˜Ã¢â‚¬Å¡Ãƒ Ã‚ ¾ à Ã‚ ½Ãƒ Ã‚ µ Ñâ‚ ¬Ãƒ Ã‚ °Ãƒ Ã‚ ±Ãƒ Ã‚ ¾Ãƒâ€˜Ã¢â‚¬Å¡Ãƒ Ã‚ °Ãƒ Ã‚ µÃƒâ€˜Ã¢â‚¬Å¡, тà Ã‚ ¾Ãƒâ€˜Ã¢â‚¬Å¡ à Ã‚ ½Ãƒ Ã‚ µ à Ã‚ µÃƒâ€˜Ã‚ Ãƒâ€˜Ã¢â‚¬Å¡-Those who dont work dont eat. Today Soviet agitation porcelain, representing Russian propaganda art; are now popular items in collections of museums in Russia and overseas as well as private collections. Communism has long been connected with Russia. Even as this country rose to a democracy, suggestion of Russias socialist past still linger over this supposed forward thinking country. Pussy Riot had made global headlines with their taped performances in controversial locations. Yekaterina  Samutsevich, 30, Maria Alyokhina, 24, and Nadezhda Tolokonnikova, 22, were found guilty of hooliganism motivated by religious hatred due to the staged performance in February 2012 rallying against president Putin ahead of the countrys elections in March. Pussy Riot are a feminist performance group formed of friends that embraced similar principles at anti-Putin rallies in Moscow, forming a revolution based around punk ethics and political activism. The identities of the collectives members are hidden from the public; wear eye catching bright, colourful attire and balaclavas to their protests and events, inviting other members of the public who share the same ideals to join, disguised as well. When asked about the chosen name of the group one member named Garadzha stated; A female sex organ, which is supposed to be receiving and shapeless, suddenly starts a radical rebellion against the cultural order, which tries to constantly define it and show its appropriate place. Sexists have certain ideas on how a woman should behave and Putin, by the way, also has got a couple thoughts on how Russians should live. Fighting against all that thats Pussy Riot. (Vice magazine 2012) On February 21st, the group crossed the threshold of the altar and began singing and dancing in front of tourists and clergy at Moscows Cathedral of Christ the Savior. They delivered approximately forty seconds of the Punk Prayer; Mother of God, put Putin away asking the Virgin Mary to drive out Russian president Vladimir Putin from the church, before being removed by security guards. Pussy Riot assured their performance in Moscows main cathedral was not to be an anti-church demonstration, and was entirely based on criticizing President Vladimir Putin.  Some see the song itself as Punk poetry whilst others describe it as blasphemous. But the fact of the matter is Pussy Riot live, vote, pay their taxes in a country in which the Russian Orthodox Church and its deep links in structures of power have had a colossal control over their lives, politically and culturally. During the 20th century, the bodies of artists, and the public alike, were beginning to be commonly used more and more as both the entity and the subject matter, the piece itself. Bound, beaten, unclothed or highlighted features etc: the body is presented in all possible guises, as the artist quite literally lives his or her art either publicly, in performances or privately, in video and photography. This long standing tradition of self portraiture had began to take a distinct left turn, and the influential performance artists were at the forefront of this defiant movement to take art outside of the galleries and into the unconventional media, and in some cases controversial spaces much like Pussy Riot today, its clear to see that performance art would have played a distinct role in their political piece. The ties between art and life itself would then be worn away, as were the ties between somewhat sensual and visual experiences amongst viewers. By establishing narratives of real life situations, their own experiences within the perspective of performance, the artists point out the extent in to which history, gender, and identity are all socially constructed performances and are the main focus to the manipulations of power. Before Pussy Riot, Nadezhda Tolokonnikova and Yekaterina  Samutsevich were members of a collective named Voina (meaning War).Voina is a made up of a controversial group of Russian actionist artists that engage in radical street protest actions; Political protest art. The collective have protested against the somewhat total elimination of freedom of speech, against the violation of human rights, and against the complete liquidation of democracy that has taken place in Russia in current years. The popularity of politically engaged art tends to surge and decline, depending, of course on the current socio-political and economic climates. Commodity artists and activist artists coexist. We had sex in public and this doesnt frighten us anymore, we invaded a police station and this doesnt frighten us anymore. What more is there that can scare us? We will deal with death in the future. Soon we will be completely fearless. (2012) To this day, over 200 activists have participated in Voinas artistic protest actions and at least 20 criminal investigations into the groups activities have been initiated (Free-voina.org). On Voina, curator Artur Ã…Â »mijewski had said (to gazeta.ru), The art group participates directly in politics, something no other group in Europe does. They are absolutely unique. Their actions test the durability of democracy. Their fame is linked to the fact that their actions reflect the Russian political process, the process itself is split in two: partly European yet wildly different. And has also written The Voina group are the last of the righteous, who speak to us of how things should be, so that they may once again come true. http://24.media.tumblr.com/tumblr_mbh6yrMGFG1qgejhto1_500.jpg A VOINA activist in a police uniform covered by an Orthodox priests cassock with a massive cross performed robbery in a high-class supermarket in Moscow. Accompanied by the group, Mentopop carried outside, without paying, 5 large bags with delicatessen and elite alcohol. The crime was committed with the impunity enjoyed by priests and cops in todays Russia. Femen, a Ukrainian feminist group have gained much interest due to their scrupulous attitude of self-proclaimed sextremism which has turned into becoming infamous for organising naked protests. Some of the prominent examples of their work are the topless protests at the 2012 Olympics in London, in hostility towards  bloody Islamist regimes  or the  cutting down of a crucifix in Kiev, in support for fellow feminists, Pussy Riot   just as a Moscow court was due to deliver its verdict in the  case.   This goal of feminism expressed by Femen and their strategies are indicative of the idea that Western ways of thinking are in some way essentially legitimate and greater. Their feminism however, is not a cultural paradigm that can be applied to all. - Riot grrrl has always been a force to be reckoned with; it was an underground feminist movement that began early on in the nineties, which was very much united with punk music, feminism, radical politics, and a DIY aesthetic. Riot Grrrl activism concerned meetings, the creation of zines, artwork alike and a national network of support for females performance, whether it be musically, poetically or indeed artistically. Although many say the movement lasted until the mid nineties, others argue that it never ended. With the recognition of  Sara Marcuss book  Girls to the Front: The True Story of the Riot Grrrl Revolution, it appears that there may be various truths to that assertion. And there are many zines, which tell the tale of the origins of the movement (Jigsaw-1988, Girl Germs-1989, Bikini Kill-1990, SNARLA; to name a few). In 1993, according to a Canadian newspaper (as mentioned in  Girls to the Front), 40,000 zines were published in North America alone. (2010) But as the next quote states, the power of Riot Grrrl managed to travel its way overseas and influence a whole new group of European followers wanting to reach out, create and thus inspire women and know that they were not alone. Why is there something odd and unnatural about women who want to try to do something with their lives? Why are women such fucking appendages in everything? Feminism isnt over, it didnt fail, but something new must happen- Riot Grrrlà ¢Ã¢â€š ¬Ã‚ ¦ Next time a guy feels your ass, patronises you, slags off your body- generally treats you like shit- forget the moral highground, forget hes been instilled with patriarchy and is a victim too, forget rationale and debate. Just deck the bastard. 1993 issue of Leeds and Bradford Riot Grrrls zine. We live in a generation of apathy and ignorance. We live in towns that no-one has any respect for anymore. We live lives and abide by the rules set for us, day in and day out. Media subliminally feeds us ideas of how we should be, look like, what we should think and what our tastes should be; its bullshit and it needs to change. The Barbie dolls we see on the front of red-top newspapers and on TV are not our sisters. They arent our friends and they are not a force to change the sexism in this world. Male-domination has well and truly taken over the media/music/films etc. We are not second class citizens and we have as much right to be here as men do. This is not acceptable. But when does art become music? Pussy Riot have been described as a feminist punk rock group, a punk rock collective. Released member of the group. Since the jailing of Pussy Riot the Moscow City court has established for the second occasion its verdict banning all LGBT pride events in the Russian capital for the next century. In the nearest future we will contest the authorities actions over the 100-year ban on gay pride events in the European Court of Human Rights. Through this we will eventually achieve that the bans are recognized as unlawful, not only for the past, but for the future gay parades in the Russian capital, the Interfax news agency quoted Alekseyev as saying. Pussy Riots performance of the Punk Prayer included a reference to the countrys victimized LGBT community with the line Gay pride sent to Siberia in chains. A court in Moscow has chosen four videos made by the feminist punk protest group Pussy Riot as extremist. The Zamoskvorechye District Court in the Russian capital ruled that access to all websites hosting the videos must be limited. In relation to the courts decision, websites that do not remove the Pussy Riot videos will face administrative penalties, which include fines up to 100,000 Rubles (around  £2000). On June 8, 2012, Putin signed into law a measure imposing weighty fines on citizens who organize or take part in unauthorized demonstrations, giving the Russian authorities authoritative leverage to clamp down on the large antigovernment street protests ignited by his decision that he planned to return to the presidency and re-energized by his inauguration in May. Four days later, around 10,000 protesters gathered  in central Moscow in defiance of the Kremlin ban. Tracy + the Plastics is the name of the  electro pop  solo project of  Wynne Greenwood, a  lesbian  feminist  video artist based in  Olympia, Washington she started this project with, what she describes as myself and myself and myself. She played all the roles of the band Nikki (keyboards), Cola (drums) and Tracy (singer). Live, Nikki and Cola would be included as imagery in a projected landscape that backs her up and fills her in. Pre-recorded music would begin to play through speakers. She would then begin to sing live and talk to her band mates in between songs. Nikki asks Cola why she puts socks down her pants to look like a dick or a third dimension? Cola turns to Tracy and asks her for advice. I dont put socks down my pants she does it to look more real. Theres a history, a reality created by the interaction between the self and the image of the self. When an individual in a marginalized group talks to a recorded image of themselves it empowers the individual to open the door to the understanding and celebration that she/he/it can be deliberate. It is an interaction with a fragmented self. By fragmented, Greenwood means a consistent individuality thats constructed from different, often contradictory, elements of culture, society, and existence that we identify with because popular culture has no complete identity to offer its audience except one that resembles the ruling class. We can come out. And then come out again. We can rearrange our world how we want it. Wynne Greenwood (2001) Defining Miranda July is like trying to define a colour (Chang, 2000) when faced with the sheer range of her work single channel video, experimental audio, multimedia performance, fanzines, riot grrrl film and videotape distribution.   July is a Portland, Oregon-based artist spellbound by codes, systems, and the erroneous belief of the ordinary affected by things such as education and IQ tests, also a somewhat fascination with human interactions and relationships. Shes at her finest when she manages to show systems breaking down, altering, or cleared of the substance that gives them meaning. July began to catch local attention whilst still in high school in Berkeley, MI, when she created a play (The Lifers) derived from a pen pal relationship with a convict in the California prison who was jailed for murdering a man who had frequently stole from his petrol station. She found him through an advert for a prisoner pen-pal type program in the back of a magazine. July went on to move to Portland, OR, and became emerged into the Riot Grrrl scene since this appeared the place to be for DIY music and art specifically targeting women with a voice, who needed an outlet. In 1996, out of this eager hotbed of creative female community arose the  Big Miss Moviola  project (but legal threats from the owners of the word Movieola strained July to modify the name of her project to  Joanie4Jackie) a creative and incessant video chain letter. Female filmmakers and performance artists alike would produce a short film. The recorded piece would then be added to a compilation tape contai ning ten other female artists. The tape would then be sent back to the contributor. http://www.moma.org/explore/inside_out/inside_out/wp-content/uploads/2011/02/mj_amateurist_web.jpg You always suspected it and now you know its true: Girls and women are making movies everyday Joanie4Jackie All women were invited and encouraged to participate, despite technical skills, using any medium that was available to them, By August 2000 there were upwards of 100 films still in distribution. The initiative for Moviola  emerged from Julys observation that the earth is full of inspirational films and people that cannot be seen or heard. And she takes this farther by stating she is also stimulated by films that yet to be made. July claims all of her writing is taken from the subconscious.   The curators for this project included Miranda July, Rita Gonzalez, and Astria Suparak. The  Joanie4Jackie  series was also screened at film festivals and DIY movie events. So far, thirteen editions have been released, the latest in 2002. Prominent DIY filmmakers who have contributed to the project include  Mary Billyou,Tammy Rae Carland,  Lisa Hammer,  K8 Hardy,  Sarah Jacobson,  G.B. Jones,  Tara Mateik  and Miranda July herself. Nowadays, her films illuminate the ordinary, lampoons of relationships, the fundamental weirdness of sex, and remind us of what it feels to be human. July plays on the tension of relationships, the uncomfortable bits and the joys. She makes you snigger, and feel good without making you feel like a simpleton in the process. She allures you not with trickery, but with what is desired as truth, or at least something within reach. For the male spectator, her films also offer the unusual delight of inhabiting a characteristically woman sensibility.

Friday, January 17, 2020

Placement Reflection Essay

Pembroke Residential Home, Saltburn 10/02/14 Today was my first day on placement at Pembroke Residential home in Saltburn. When I first arrived I was a little nervous as I didn’t know anybody and I wasn’t sure on what to do because I didn’t know their routine. The pressure eased off a bit after the first hour because another student came in as she was doing her block placement and I was told to just follow what she did as she had been before and knew what she was doing. Firstly, I observed the other student as she fed a resident, this made me feel a lot more at ease as I knew I would be doing this another tine and I was given the opportunity to observe first so I knew exactly what to do and how to act when I was asked to fees in the future this was a positive experience for me. I also had a one to one conversation with a resident about a programme that was on the television in the lounge. We talked for about 30 minutes and he seemed pleased that I had taken the time to sit a listen to him and have a convers ation with him. This was a positive experience for me and made me feel great as I felt I had made him feel happier. It also gave me a chance to get to know the resident and use my communication skills using one to one interactions. Pembroke Residential Home, Saltburn 03/03/14 Today I was quite excited as I had been asked to feed a resident and this was an opportunity for me to get some experience of my own for the future. The resident is unable to get out of bed as she only has use of her upper half of her body so I took her breakfast upstairs (golden syrup porridge and a cup of tea which had to be drank through a straw) and fed her as well as having a one to one interaction with her. This was a positive experience for me and once I had finished I had to record everything that I had given her as every meal has to be recorded in her book. I felt good because the resident had a smile on her face and seemed happy, also it was the first time on placement that I had interacted with a resident like this. I hope to be able to feed this resident in the future as I really enjoyed it. Pembroke Residential Home, Saltburn 10/03/14 I was a bit disappointed today as I felt like I didn’t learn anything new and found it wasn’t very beneficial for me. All I have done today is take the tea/coffee trolley round all of the residents numerous times, washed the pots numerous times and picked up some sample pots for the residents at Huntcliffe Surgery, Saltburn. I felt like I was just being used as a run about and being given the jobs that none of the staff particularly wanted to do. Although this was a negative experience for me, I didn’t complain and I just got on with it, I feel like I haven’t achieved any experience today. Pembroke Residential Home, Saltburn 17/03/14 It was quite busy today on placement so I was on my feet a lot and helped out as much as I could. I fed the same resident that I have previously fed another time. I fed her both her breakfast (apple and cherry ready break and a glass of milk) and her lunch (chicken stew, mash, carrots and a cup of tea). I also had several one to one conversations with various residents throughout the day. Communicating with the residents made me feel as though they enjoyed it and I got to know a little bit about each of their personalities which will help me to interact with them more in the future. I am going to continue communicating with the residents as much as I can so that I can get to know them better. I observed the staff ordering new medication for the residents and filling in care plans, progress sheets etc. This was a positive experience for me as I got to see the non-practical side of working in a residential home and had an insight on the types of paperwork involved. Today made me feel t hat my placement was becoming a little more beneficial for me as I am slowly learning new things again rather than doing nothing health and social care related. Pembroke Residential Home, Saltburn 31/03/14 The home was very busy today I was on my feet a lot but I enjoyed it because I always had something to do. I fed the usual resident I feed regularly this morning (original ready break and a cup of tea) and her lunch and then recorded how much she had ate and drank on her sheets so that the other staff new how well she was eating. I also did the same for her lunch (beef casserole, mash and veg, a yoghurt and a glass of juice). This was a positive experience for me and I found it easier to interact with the resident today because we had more to talk about. I also feel that the resident enjoyed my company because on both occasions we has one to one communication. As this residential home is small and only has 10 residents they don’t usually get a choice of meals unless they don’t like what is on the menu then they will be given an alternative. Today, the cook made two different meals for lunch and I went round the residents to ask which they would prefer. This was also a p ositive experience for both me and the residents as they felt a lot happier about the fact that they were given a choice of meals rather than just what was on the menu. I felt that I had cheered the residents up by doing this. Every week since I have been on placement at this residential home I have taken the tea/coffee trolley round the residents and visitors and washed lots of pots. I was told to do the same today which was a negative experience for me as I don’t feel that this helps me to achieve anything and get an idea of what it is like to work in health and social care with the elderly. I felt annoyed that I had been asked again to do these things as I get asked do to these every week. Activities are offered to the residents every day so that they feel they have something to do rather than just sit about and watch the TV, read the newspaper etc. I was asked to offer the residents a choice of activities today but unfortunately none of them felt up to participating in anything that I offered. Although no activities were carried out, this was a positive experience for me as I then had to record that what I had done in the activities booklet to show that even though the residents had chosen not participate in various activities they were still given the choice. I felt that the staff had trust in me to be able to start filling in this sheet as even though it is only a small step it gave me more experience on what type of paperwork is involved in working in a residential home. As I have  previously been shown how to work the stair lift one of the staff member asked me to take a resident upstairs to their room. I was trusted to do this myself, using the stair lift. This was a positive experience for me as although I had observed the stair lift being used I had never actually used it myself to get residents up to their rooms. The resident seemed rather happy with how I placed her on the stair lift and how I used it. This made me feel great as I knew I had achieved another skill for working with the elderly/disabled in health and social care. Overall, I thoroughly enjoyed attending placement this week as I was never left with nothing to do and felt I learnt a lot of new skills even if they are just small steps to working in helath and social care in the future.

Thursday, January 9, 2020

Attention Deficit Hyperactivity Disorder ( Adhd ) - 872 Words

Introduction Attention Deficit Hyperactivity Disorder, also known as ADHD, is a neurobehavioral disorder that develops during childhood and can continue through adulthood. ADHD’s characteristics include inappropriate levels of inattention, impulsivity and motor overactivity. It appears to be the most common childhood behavior disorder today with an estimate of 3-7% of school-aged having ADHD. (Miller, N.J., Thompson, R. 2013). Through the years, ADHD has had several names, including minimal brain damage, minimal brain dysfunction and hyperkinetic reaction. (Peacock, J. 2002). It causes significant personal, academic and social function and has severe impact in the lives of children and their families. (Meppelink, R., de Bruin,†¦show more content†¦These symptoms could be trouble staying focused on tasks or activities, not listening when being spoken to, not following instructions, finishing tasks, trouble organizing, avoiding or not liking schoolwork or homework, losing things, easily distracted or forgetful in daily activities. The individual must also have six or more symptoms of hyperactivity and impulsivity. The symptoms could be unable to remain seated, running or climbing when it is inappropriate, unable to play quietly, talks excessively, blurts out answers before a question has been completed, has trouble waiting their turn, or interrupts or intrudes on others. The symptoms must be present long enough to be disruptive and inappropriate to the patient’s developmental level and some of the symptoms must be present before the age of seven. The symptoms also must present in more than one setting, such as school and home or in adult, work and home. The symptoms also should not be linked to some other condition or personality disorder. (Funk Wagnalls New World Encyclopedia, 1p. 1. 2016). ADHD may present additional challenges, as it remains a socially contested diagnosis, and the subject of on-going debate in popular media as well as in medical professions. (Tatlow-Golden, M., Prihodova, L., Gavin, B., Cullen, W., McNicholas, F. 2016). Causes There have been many theories about the causes of ADHD. People believed ADHD was due to bad parenting, poor schools, head injuries, or too muchShow MoreRelatedAttention Deficit Hyperactivity Disorder ( Adhd )1710 Words   |  7 Pages Attention-deficit hyperactivity disorder or ADHD which is often referred to as childhood hyperactivity, it s a severe and chronic disorder for children. It is one of the most prevalent childhood disorders, and affects 3% to 5% of the school-age population. Boys outnumber girls three or more to one. 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